Label: EMI Classics - TOCE-13001 • Series: EMI CLASSICS 決定盤 1300 - 1 • Format: CD Reissue • Country: Japan • Genre: Classical • Style: Classical
The first of the six symphonies Haydn composed for his second visit to England was the Symphony No. It was first performed on February 10,in London. The symphony is scored for two each of flute, oboe, clarinet, bassoon, horn, and trumpet, with timpani and strings. This is the first symphony in which Haydn 's usual forces are augmented by a pair of clarinets, which certainly contribute to the overall mellow tone color of the entire piece.
The piece's plangent expressiveness often obscures its contrapuntal detail. After one of Haydn 's characteristic slow introductions, the sonata-form first movement sprints ahead at a Vivace assai tempo, the main theme appearing in the strings only. A repeat of the first theme with the full orchestra leads to the transition, which, as in many late works by Haydnis significantly longer than the first theme segment.
When the dominant arrives, we are treated The Berlin Philharmonic* - the first theme again, but on B flat major, suggesting this will be a monothematic movement. A true secondary theme, however, appears much later. The development section tosses about the opening measures of the main theme, sometimes in inversion and combined with other elements.
When the recapitulation arrives, we hear the full orchestra, with all the material of the exposition resolved to the tonic following a significantly shortened transition. It is very likely that the melancholy Adagio is Haydn 's musical response to the death, in January,of his close friend Marianne von Genzinger. With an unusually long development section for a slow movement in sonata form, the G major movement features some fascinating reorchestration during the recapitulation of the second theme.
In the E flat major Minuet, the first section modulates to the dominant. This harmony continues as the 3rd Movement: Menuetto (Allegretto) & Trio - Haydn* section opens with a rising motive that counters the falling figure of the first section--a perfect 3rd Movement: Menuetto (Allegretto) & Trio - Haydn* of Haydn 's predilection for long-range melodic balance.
A return of the opening material rounds out the Minuet and brings back E flat major. The Trio, in the striking key of C major, is built of melodies with a much narrower range than those of the Minuet. The relentless pulse pauses for a Calcutta Auction - Michael Stanley Band - Ladies Choice moment at the Herbert von Karajan of the movement, containing a harmonic reference to a similar passage in the introduction to the first movement.
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Complete Excerpt. Haydn: London Symphony No. Hans Rosbaud. Haydn, Mozart, Beethoven, Brahms. ICA Classics. Joseph Haydn: London Symphonies Nos. Complete Recordings on Deutsche Grammophon, Vol. Eugen Jochum. Deutsche Grammophon. Haydn: Symphonies. Haydn: Symphonies 92, 94, 99, ; Schubert: Symphony No. Josef Krips. Haydn: Symphonies Nos. Nikolaus Harnoncourt. Warner Classics. Haydn: 'London' Symphonies; The Seasons. Thomas Beecham. Haydn: 12 London Symphonies.
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Colin Davis. PentaTone Classics. Haydn: The London Symphonies Nos.
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